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Harry Smith's Anthology of American Folk Music, Vol. 4
''Harry Smith's Anthology of American Folk Music, Volume 4'' is a two-disc compilation of twenty-eight American folk recordings originally released on 78 rpm records between 1927 and 1940, issued in May 2000 on Revenant Records, catalogue #211. Compiled by experimental filmmaker and notable eccentric Harry Smith as the fourth album of his ''Anthology of American Folk Music'' set from 1952, it was never completed by Smith himself. While the CD is out of print,〔 (Revenant Records website )〕 an LP version has been recently issued, along with the other three volumes, on the Portland-based Mississippi Records label.
==Contents==
The original anthology jump-started the folk music revival of the 1950s. In 1972, Moses Asch, interviewed by ''Sing Out!'' magazine, claimed that tapes for two additional volumes of the project had survived, although the documentation necessary to make a meaningful release of the volumes had been lost. Revenant Records worked with the Harry Smith Archive to recreate and release the fourth volume, associated by Smith with the classical element of earth. The extensive liner notes presented in a hardcover book were written by Dick Spottswood and John Fahey.〔
Unlike the first set, Smith did not choose the selections for this set strictly from between "1927, when electronic recording made possible accurate music reproduction, and 1932, when the Depression halted folk music sales."〔Smith, Harry. "Foreword," liner note essay. ''Anthology of American Folk Music'', 1952 edition, Folkways Records.〕 As a companion to his three two-album volumes from the original ''Anthology of American Folk Music'' categorized by Ballads, Social Music, and Songs, Smith chose "Labor Songs" as this volume's organizing principle. Smith included material released as late as 1940, with a selection of union songs making their first appearances for an Anthology set.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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